Thanks for stopping by, I hope you enjoy the collection of poems in this blog. You are welcome to copy these poems and post them to your blog or website, or add to your personal collection, free of charge, I ask only that you leave it 'as is' and include the author name: ME- Tilly Rivers
Beauty is what I am reaching for The beauty of the soul To sing with me To dance with me To smile with me Not just for tonight
Beauty is what I am reaching for Pretty simple sight The beauty of true love To teach me For my life
Power of the lance Lance of pain To spear your very spirit Leaving a hole of misery Missing you beyond measure Missing you beyond earthly understanding Loving you still Even though you’re gone
Power of the javelin Javelin of agony Impaling your very strength of mind An ache of suffering Missing you further than life Missing you past mortal comprehension Loving you still Even though you’re gone
Thought I was threw the fog of pain Power of the lance was gone Thought I could remember you with a smile Remember the love Thought I could be me again Loving life as you taught me Thought I was over the hurt Filling it with good memories of us
Power of the lance Came out to grab me Stabbing my spirit Gorge my heart As this the anniversary of your death The day you were stolen from me Loving you so much Forever alive in me
I love you The call has not gone I love you Beyond this world To the call above The power of the lance Loving you so much Even though you’re gone
Are you a ghost? Someone I have made up in my mind Do I love you ? Do you love me? I suppose we will never know I reach out and you are not there You reach out I am a wisp of air Maybe I am the ghost For I can not seem to find me And I certainly can not seem to find you Why have our paths and hearts crossed? Or did they cross at all? Are you a ghost? No- it must be real For ghosts can be seen more often Only reality is so painful, cold and silent Invisible lines of hurt Ghosts I do not fear This silence I can not bear
We can all dwell on what we conceive to be as unfair in life. Let the power of that misery eat and absorb who we are until we no longer, feel or even resemble the person we were once. We can all sit and let that anger that bitterness of why me, filter into every pore, every fiber of us until we are comforted in our misery, in our pain. Until we are justified within ourselves to feel the way we do. Until we no longer see anything, or any one without first seeing the ugliness. Anger, sadness, negative emotions and thoughts will never get me what and where I want, but following my own path will. Challenges lead to positive results I have learned that by nurturing love and it will nurture me I believe that if you behave in the goodness of the universal energy and treat those around me with sincerity and kindness my path will be marked with the success of what is right. I AM ME I will NOT be taken down a path that does not belong to me How easy is it to give up? To give in? To let the negative parts of life win Why Why do we let fear eat us alive until we no longer become who and what we are?
Poetry for some seems to be a writing style that is confusing. Old world poets and critics are caught in formulas and do not understand passion. The world of words has changed, and there really is no such thing as a mistake in poetry. The most modern form, which is read the most is “Free Verse” where the emotion behind the message is what is most important and captures the readers within the folds of the verse. Another popular style of poetry is dark or gothic poetry in which the subject matter is a little ‘off kilter.”
Popular among the teenage readers is what has been referred to as “ghetto” poetry. This poetry has a rough edge and delivers messages related to drugs, the homeless and the darker side of street living.
Modern poetry or “Free Verse” is what most publishers look for. From poetry magazines, both traditional paper print versions to online venues. That being said however, I encourage poets to try all forms of poetry, if for no other reason than the challenge and joy of learning a new skill. Other publishers are poetry style or theme specific, as always before approaching any publisher, from traditional to online- research what styles are most popular. This is easily done by reading what has been published in the past.
Below is a list of Poetry types, and a brief description, this is not a complete list of all poetry types, just my personal favorites.
ACROSTIC--Acrostic poetry is created from a single word. Each letter begins a line. The sentiment of the poem usually defines the word. Any syllable count or rhyme scheme can be used.
BLANK VERSE--Unrhymed verse written in lines of matching length in regular feet. Can be written in tetrameter, pentameter, hexameter, etc, and in any traditional form: sonnet, villanelle, and so on. May be written in any meter as long as there are no end rhymes. Most often found in ten syllable lines, usually in iambic pentameter. Loosely put BLANK VERSE is a non-rhyming poem written in a standard or traditional poetry form.
CINQKU (en trio)-- CINQKU is a western version of haiku wherein there is a strict syllable count (2,3,4,6,2) making 17 syllables on 5 lines. It generally is given no title, no meter, and is free in diction and syntax.
CINQUAIN is a formal type of poetry consisting of one five line stanza. Purists follow this guideline: The first line is usually one word, a noun. The second line is two words where the noun is described. Third line is three words consisting of action. The fourth line is four words evoking feelings, and the fifth line is a noun, usually another word for the first noun COUPLETS--A couplet consists of two lines of poetry. Sometimes they rhyme with one another. Other times, they are connected to one or more couplets wherein a rhyme scheme emerges. And sometimes, there is no obvious rhyme scheme. In that case, the poet should remember to count the syllables in the line, or add internal rhyme and alliteration. Couplets can be in tetrameter (eight syllable lines), or rhyming couplets without metered line count. DIMETRIC RIDDLE--Dimeter is a line of poetry with two feet. Each foot has two syllables. little poems that have three lines in a single stanza qualify as a tercet, and if each line rhymes, it is technically, also, a triplet.
DORSIMBRA--Dorsimbra poetry is made up of three quatrains. The first and twelfth lines are the same. Generally, the first quatrain is Sicilian—four lines iambic pentameter rhymed abab. The second quatrain is snappy free verse. The third quatrain is blank verse—unrhymed iambic pentameter. The best ones use enjambment, internal rhymes, and slant rhymes to bind the three stanzas. FORM POETRY refers to any organized and defined, or formal piece of poetry that fits a specific set of guidelines. There are innumerous forms of poetry. These are generally referred to as TRADITIONAL POETRY. Fixed form poetry. Nineteen lines of any length divided into six stanzas: five tercets (aba) or triplets, and a final quatrain. As noted, the first and third lines of the initial tercet rhyme. These rhymes are repeated in each subsequent tercet and in the last two lines of the quatrain (abaa). Line one appears in its entirety as lines 6, 12, and 18. Line three reappears as lines 9, 15, and 19
FREE VERSE--Award-winning free verse contains imagery and emotion. This is not motivated by formula but passion. FREE VERSE is any poetry that does not conform to a set poetry form.
HAIKU--Most haiku are written in three lines with seventeen syllables: 5, 7, 5. They can be written in two lines, or in a lesser syllable count. Usually the top two lines flow together, and are indirectly related to the last line. Topic always includes nature. Rhyme is avoided. No title is required, but are sometimes added for publication or contesting purposes. HAIKU is a Japanese form of poetry consisting, most often, in three lines with 17 syllable counts of 5-7-5. A “ku” should not be a run-on sentence. It should have a noticeable break of syntax. Haiku is always about nature. Good haiku will give an insight or vision of the poet’s feelings about that which is depicted.
LIMERICK--A five-line poem, the limerick has a rhyme pattern of aabba. They are supposed to be humorous and bawdy, with the last line delivering a kick.
LIST POETRY-- List poetry is similar to found poetry. It, of course, must contain a list of some kind. You can set your own rhythm, and make it rhyme, if you want. Rhyme and meter are not required. The key to this form is creating a rhythm or lyrical quality. Stanzas can be of any length, and varied.
SENRYU--Senryu follows the same guidelines as haiku (three lines, 5,7,5 syllable structure), except the topic is human nature. SENRYU is a Japanese form of poetry consisting, like Haiku, in a set-up (usually) of three lines with a syllabic content of 5-7-5. It is always about human nature and the last line should be quirky, insightful, humorous or satirical.
SONNETS--Modern sonnets use contemporary language and subject matter. They consist of fourteen lines, three stanzas of four lines, and a couplet at the end. The type of sonnet depends on the rhyme scheme, whether or not each line contains iambs, and the line syllable count. Traditionally, the subjects of sonnets included romance, life, death, and faith, and exhibit emotions like torment or joy. The language was more stilted, too. Sonnets can be written on any subject and include humor and/or fantasy.
RHYMING POETRY—Rhyming poetry is a poet’s license to create their own rhyme scheme and syllables. RHYME is when two words sound alike. EXTERNAL RHYME refers to the ending words in each line of a rhyming poem. INTERNAL RHYME refers to the use of rhyming words within a piece of poetry, that doesn’t fall at the end of the line breaks. RHYMING POETRY is any piece that follows one of any number of rhyme schemes, patterns, or forms. SLANT RHYME refers to two words that sound similar. Slam/slim, Kit/Kat, and Lid/Led are examples of slant rhymes.
Rondeau-- is a French style of poetry based on the rondel (round). Standard form consists of fifteen lines in three stanzas. The first stanza is a quintet (five lines, aabba). The second stanza is a quatrain (four lines, aab, plus refrain R—which is the first half the first sentence of the first stanza). The third stanza is a sestet (6 lines rhyming aabb plus refrain R).
TANKA--Thirty-one syllables in five lines: 5, 7, 5, 7, 7. Better tanka, like all good poetry, evokes emotion. The best poetry also brings a physical image alive or titillates one or more of your senses.
TERCET--Three lines in a stanza create a tercet.
VIGNETTE POETRY--Relay a short moment in time with visual and emotional impact. Rhyme and specific meter are not required. Alliteration and internal rhyme are virtual necessities. VIGNETTE is a narrative poetry that illustrates a moment in time. It can be written in any traditional form or free verse.
VILLANELLE-- is a traditional form of poetry. Nineteen lines of any length divided into six stanzas: five tercets (aba) or triplets, and a final quatrain. As noted, the first and third lines of the initial tercet rhyme. These rhymes are repeated in each subsequent tercet and in the last two lines of the quatrain (abaa). Line one appears in its entirety as lines 6, 12, and 18. Line three reappears as lines 9, 15, and 19.
ALLITERATION generally refers to the repetition of sounds. This is what gives a poem a lyrical or musical quality. ASSONANCE is a form of alliteration where vowel sounds are repeated. CAESURA simply means “a break”—either a pause or interruption of breathing within a line of verse. CONSONANCE is a form of alliteration where consonant sounds are repeated. COUPLETS are generally ten syllable lines, grouped in two. They can, however, be two lines of any length that are grouped together. CRYSTALLINE is a western sub-form of haiku wherein the seventeen syllables are broken into a couplet (two lines). Placement in the two lines may vary. DIMETER is a four syllable line of poetry, said to have two feet. Each foot has two syllables. ENJAMBMENT refers to a sentence or thought that carries through from one line to another. FOUND poetry uses the technique of listing things that are found close to one another. Arranged in a poetic way, they can create a lyrical picture. FOOT refers to two syllables. Pentameter, for example, is a line with ten syllables, or five feet. IMAGERY is the term used when a picture is brought to mind by descriptive words. LAMB is a commonly used poetic term. Put simply, it is a foot (two syllables) that have the accent on the second syllable. The opposite, where the accent is on the first syllable is a trochaic foot NOIR haiku generally consists of subject matter not traditionally contained within formal haiku or senryu.
I love you All of you Every imperfection that you dwell upon Every mark, blemish, nook and cranny of who you are You’re sexy eyes Soft chest hair Husky voice that gives me shivers Your smile I love you All of you The hair on your back that you insist is ugly What you view as too much tummy Cutest ass Clever whit When you challenge my mind Your brilliance I love you All of you The dark side that you try so hard to hide How I wish you would channel that sexually Let go Be you Discover play I would do anything with you I love you All of you Not for only second-forever Even in the pain, in the bad My love is strong I love you All of you I need you Want you Beyond With all that I am
Baby flower New born bud Waiting Waiting for the sun Magic essence filling me I know you are there Beyond the dark velvet sky Waiting Waiting for you my sun Ever so slowly Clicks of the clock Each star keeps count Here Gone I know you are there Beyond the dark velvet sky You will come Stay, I pray Please, this time. Stay a little longer There I feel you even if I can not see you yet Finger of light caressing me Warm love Beautiful My petals open Drinking in your glow Filling me with smiles Confused Why will you go? Stay, please Do not send me back Back to the dark velvet sky Here Gone I know you will be back To fill me again Clicks of the clock While I sit in the dark velvet sky
When: May 16 2008 What: Read your poetry ‘on air’ on the Features Radio Program hosted by Tilly Rivers Time: Begins at 11 PM EST Where: http://www.blogtalkradio.com/Tilly-Rivers Call in number: 718-664-6449
Details: In order to give as many people as possible a chance to read their poetry on air, we have limited the reading to ONE poem per person. You are welcome to tell everyone what your website and / or contact information is- and a small introduction--your name and location- please send listeners to your website or other contact info for a complete bio.
Be sure to spread the word—this is “open” which means new or veteran poets are welcome- and of course after the show, you can download a copy to promote your writing!
I’m so not ready to say good bye Dad Not this good bye The one that lasts forever So if you don’t mind I think I’ll just say we will see each other again one day Not sure of the times But it doesn’t matter I know you’ll be there You always have been before
I’m so not ready to say I love you for the last time Not the last time Dad So if you don’t mind I think I’ll just say it over and over Each night Each day Because I know you’re whispering it to me
I’m so not ready to face the world without you Not like this Dad I still need you So if you don’t mind I think I’ll just talk to you whenever I need to Like we use too
I’m so not ready for you to leave Dad Please don’t leave me I know I’m all grown up now But right now Dad I’m still just your baby girl So if you don’t mind I think I’ll just keep you Deep in my heart Forever
I’m so not ready Dad I can’t let go So if your don’t mind I think I will close my eyes and pretend your still here
A need to feel around the fringes-Test the edges Never stifle innovation-Stay in the moment Become aware of myself-My options-My Strengths Time to learn how to react-Circumstances that can not be changed Time to learn how to act-In a positive way-To what can be changed To love me-To love life-Except others have faults Will disappoint me-Fail to live up to the mark-I have placed upon them Learn life is about imperfection-Not perfection-For it is the mars and dents That make us who we are-It is the weaknesses not the strengths-That become opportunities Learning channels-A need to feel around the fringes Discover a new-Truth around us-Hidden treasures Passion-Pleasure-Magick
Laying in bed Eyes wide Thinking of you Why aren’t you at my side? Thoughts turn to fantasy Skin tingles with awakening Eyes foggy in ecstasy Why aren’t you at my side? My mind pretends My touch is yours My moan is repeated Only craving more Hollow touches, alone Why aren’t you at my side? Eyes closed Body tingling in want Thoughts turning to haunted desire Wanting you so much Why aren’t you at my side? Need builds My hands pleasures Visualize Soft gasps Heavy breaths Please The night steals my voice As I beg I need you at my side Laying in my bed Eyes pools of sadness Hollow touches Alone Wanting what is not mine Roll over to my side Closing my eyes to the darkness
I am standing in the place You have put me here Frozen in time With no sunshine nor cold winds There is nothing but the fog of confusion I am waiting not sure what to do
I was floating in the love Of what was us Did not see that you could love to much I was foolish not to see the rules Nor see the out stretched hand A line I was not to cross
I am standing in the place You have put me Wondering how I did not know That there were rules that were silent, invisible Places I was not allowed to go I am waiting not sure what to do
I was floating in the love Of what was us I had no idea that it was wrong That I was not paying attention To the arm stretched out for protection
I never knew you were not suppose to love so much I never knew there where silent rules I didn’t think you could ever care too much I was wrong, and here I stand in the place Where you put me Now you do not want me here either
What am I to do? The rules have changed again I am watching, trying to learn Not knowing where to turn I have come to find the answer The answer is you
I am standing in the place Where you have put me If you want me to move Than instead of putting out your arm Holding me away It is up to you to pull me in
Breathe in the sensations--of gratitude Discover the consciousness--of self-assurance Feel the beauty--of smoothness Know the touch--of gentleness Laugh with a--playful heart Breathe in the sensations--of better awareness Discover the ability--to be enhanced Feel the empowerment --of being inspired Express amusement--with laughter
Breath in life’s energy--Love Gain insight into acceptance and surrender Open to the adaptive and receptive qualities of life That of pure energy --Freedom Trust in loves natural folds Be present moment to moment In your life--breathe in the sensations Discover--Feel